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Unit 3 Computation Week 1
We made a duck as entering a command into tutor. Through this workshop, I learned how to input command language to make a drawing on a computer. And I guessed it could be difficult and required patience for creating a work by entering a command.
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Unit 3 Lens Week 3
Peer Feedback Use another coloured thread or material Add texts Add more errors in the pictures Put more thoughts on the shapes and the colours Reflection I used embroidery as a way to challenge the conventional art of photography. It shows my personal feelings through the contrast between the cold atmosphere and soft tactile. I…
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Unit 4 N&V Week 2
Reading Exhibitions will include the show Venturing Beyond, which will explore the “intrinsically utopian” art of graffiti, showcasing specially commissioned works by 18 street artists from around the world, including Shephard Fairy, Swoon, Horfee and Nano4814. Instead of treating graffiti as a negative practice, the show will explore it as a democratic art form that…
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Unit 3 Lens Week 2
Experiments & Feedback Photography Experiments 2
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Reading Memo
Graphic design emerges from social, technological, economic, and political contexts. It’s important for those who study its history to connect design and designers to these contexts first and foremost. (Aggie Toppins, published on May 29th, 2020, https://eyeondesign.aiga.org/can-we-teach-graphic-design-history-without-the-cult-of-hero-worship/) What this history has left us is with a “Canon” which is narrow, not inclusive, not diverse, not…
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Unit 4 N&V Week 1
First, I thought Utopia would be the haven of harmony and contentment. However, I was surprised by the certain aspects of Utopian society, such as the use of chains for criminals and the utilization of precious materials like gold for chamber pots. These highlighted the complexities and imperfections beneath the surface of Utopian ideals, leading…
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Unit 3 Lens Week 1
Reaserch Gallery 2. Reading Graphic design emerges from social, technological, economic, and political contexts. It’s important for those who study its history to connect design and designers to these contexts first and foremost. (Aggie Toppins, published on May 29th, 2020, https://eyeondesign.aiga.org/can-we-teach-graphic-design-history-without-the-cult-of-hero-worship/) What this history has left us is with a “Canon” which is narrow, not…
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